"Precisely. Yours." It was part of the great rupture and an effect of Mrs. Gereth's character that up to this moment she had been completely and haughtily indifferent to that detail. Now, however, she had a visible reason for being clear about it. She bethought herself and she broke out—"Isn't the day past?" Then, stopping short, she added: "Upon my word, they must have put it off!" As Fleda made no answer to this she sharply went on: "Have they put it off?"!

"Gone?" She was in the man's hands; she clung to him. "I'm completely at your service." Owen held out his hand to Fleda. "Good-bye, Miss Vetch. I hope to see you again to-morrow." He opened the door for Mrs. Brigstock, who passed before the girl with an oblique, averted salutation. Owen and Fleda, while he stood at the door, then faced each other darkly and without speaking. Their eyes met once more for a long moment, and she was conscious there was something in hers that the darkness didn't quench, that he had never seen before and that he was perhaps never to see again. He stayed long enough to take it—to take it with a sombre stare that just showed the dawn of wonder; then he followed Mrs. Brigstock out of the house.

"You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" There was a high contempt in this which was for Owen quite as much, and in the light of which Fleda felt that her effort at plausibility had been mere groveling. She rose from the sofa with an humiliated sense of rising from ineffectual knees. That discomfort, however, lived but an instant: it was swept away in a rush of loyalty to the absent. She herself could bear his mother's scorn; but to avert it from his sweet innocence she broke out with a quickness that was like the raising of an arm. "Don't blame him—don't blame him: he'd do anything on earth for me! It was I," said Fleda, eagerly, "who sent him back to her; I made him go; I pushed him out of the house; I declined to have anything to say to him except on another footing." "She can't have gone back," Fleda declared. "Mona would have written on the spot."